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33RD ASIAN COMPOSERS LEAGUE INTERNATIONAL FESTIVAL
AND CONFERENCE
Philippines, November 28, 2015
Likha-Likas: Reconfiguring Music, Nature, and Myth

CALL FOR SCORES

1. Multi-Media: Music for ritual or drama (e.g. puppet play).

May use multi-percussions including gongs and bamboos, found objects like stones, seeds, or other materials like bottles, metal caps, ceramics. May include dance (1-3 dancers), chanter (s),visual elements, and audience participation. Up to 7 -performers. Open to any notation – graphics; words; any form of instruction.
Duration: max. 7 minutes.


2. Electronic/Computer Music (Motion/movement-inspired).

Open for ‘on-the-spot interaction’ with dancers and audiences.
Duration: max. 10 minutes.


3. Chamber music ensemble using any standard Western instruments. May include an Asian instrument.* Up to 11 performers.
Duration: max. 7 minutes.


4. Young Composers Prize using standard Western instruments mixed with Asian instrument.* Up to 6 performers.
Duration: max. 7 minutes.

5. Choral music for adult choir. Duration: max. 8 minutes.

6. Art Song for voice and piano. Duration: max. 6 minutes.

7. Ethnic-Pop using voice(s) and standard pop band instruments (drums, electric guitars, keyboard) mixed with Asian instruments.
Open to cipher/letter name chord notation. Up to 7 performers.
Duration: max. 7 minutes.

8. Symphonic Band for flute (1,2), piccolo, clarinet (1,2,3,4)
oboe (1,2), english horn (1), bassoons (1,2), trombones (1,2),
bass trombones (1), tubas (1,2), euphonium, piano, double bass,
timpani, percussions (1,2,3,4). Duration: max. 7 minutes.

9. Large Orchestra for flutes (1,2,3—3rd, piccolo), oboes (1,2,3—3rd, English horn), clarinets (1,2,3—3rd as Eb Clarinet or bass), bassoons (1,2,3—3rd as contrabassoon), horns (1,2,3,4), trumpets (1,2,3), trombones (1,2), bass trombone, 1 tuba,
percussions for 4 players, piano, strings. Duration: max. 7 minutes.

 

* Composer has the option to bring an Asian instrument/performer for performance at his/her own expense. Otherwise, festival will provide instrument and performer within its capacity and funding. Organizers will communicate with the composer of chosen works.

Criteria:

1. Open to Asian Composers League members. To non-members, please apply for membership at www.asiancomposersleague.com before submitting your entry. 
Send proof of your confirmation of membership.

2. No entry fee for this festival. You can submit up to 2 entries.

3. Submission deadline: on or before September 1, 2014. You may mail to ACL Philippines, c/o Composition and Theory Department, U.P. College of Music, Diliman, Q.C. 1101; or you may email: asiancomposersleague.ph@gmail.com

4. Together with your entry (score; recording in mp3, if any), submit the following:
a. Biodata in paragraph form (max. 500 words)
b. Program notes
c. Photo
d. Endorsement from your local organization recognized by the ACL
e. Make a signed statement that your composition is truly yours and that the festival is not responsible for any infringement on the copyright and use of your music

Announcement of accepted entries: February 20, 2015. For inquiry: email asiancomposersleague.ph@gmail.com

CALL FOR PAPERS

Composers, musicologists, researchers and exponents of contemporary music in Asia are invited to participate in conference sessions. We welcome therefore proposals for paper
presentations and plenary sessions on one or several topics on the theme: Likha-Likas: Reconfiguring Music, Nature, and Myth.

Please send an abstract of no more than 150 words, along with a short biography (about 100 words, maximum) of the proponent to asiancomposersleague.ph@gmail.com on or before November 21, 2014.

Plenary proposals are to send abstracts to all papers and biographies of their respective authors.

Announcement of accepted entries will be on February 20, 2015.

For inquiries: email asiancomposersleague.ph@gmail.com